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Action film is a in which the protagonist or protagonists are thrust into a series of challenges that typically include violence, extended fighting, physical feats, and frantic chases. Action films tend to feature a resourceful struggling against incredible odds, which include life-threatening situations, a villain, or a pursuit which generally concludes in victory for the hero (though a small number of films in this genre have ended in victory for the villain instead).

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Advancements in have made it cheaper and easier to create action sequences and other that required the efforts of professional crews in the past. However, reactions to action films containing significant amounts of CGI have been mixed, as films that use computer animations to create unrealistic, highly unbelievable events are often met with criticism. While action has long been a recurring component in films, the 'action film' began to develop in the 1970s along with the increase of stunts. Common action scenes in films are generally, but not limited to, car chases, fighting and gunplay or shootouts.

Mile 22 film shows James Silva, an experienced agent of the CIA's most precious and less-understood unit. Helped by an extremely secret tactical command.

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This genre is closely associated with the and genres, and they may also contain elements of. Contents. History Early action films Some historians consider (1903) to be the first action film. During the 1920s and 1930s, action-based films were often ' in which actors, such as, wielded swords in period pieces. The 1940s and 1950s saw 'action' in a new form through and cowboy movies.

Ushered in the spy-adventure genre while also establishing the use of action-oriented 'set pieces' like the famous crop-duster scene and the Mount Rushmore finale in (1959). The film, along with a war-adventure called (1961), inspired producers and to invest in their own spy-adventure, based on the novels of. The long-running success of the films or series (which dominated the action films of the 1960s) introduced a staple of the modern-day action film: the resourceful hero. Such larger-than-life characters were a veritable 'one-man army'; able to dispatch villainous masterminds after cutting through their disposable henchmen in increasingly creative ways. Such heroes are ready with one-liners, puns, and dry quips. The Bond films also used fast, fist fights, a variety of weapons and gadgets, and elaborate action sequences. Producer-Director ' 1963 film, featuring Allied attempting to escape a during, and featuring future icons of the action genre including and, is an example of an action film prototype.

1970s During the 1970s, gritty detective stories and urban crime dramas began to evolve and fuse themselves with the new 'action' style, leading to a string of maverick police officer films, such as (1968), (1971) and (1973). (1971) essentially lifted its star, out of his cowboy typecasting, and framed him as the archetypal hero of the urban action film. In many countries, restrictions on language, adult content, and violence had loosened up, and these elements became more widespread. In the 1970s, martial-arts films from became popular with Western audiences and inspired big budget films such as 's (1973). Blended martial arts with 'cops and robbers' in films such as (1978) and (1979). From, starred in his first movie in 1973 called the.

His breakthrough international hit was series (1974), which established him as the reigning Japanese martial arts actor in international cinema. He also played the role of in, and (1975–1977).

Chiba's action films were not only bounded by martial arts, but also action thriller ( and - both from 1977), ( - 1978, - 1981), and science fiction ( - 1979). 1980s In the 1980s, Hollywood produced many big budget action blockbusters with actors such as,. And paid their homage to the Bond-inspired style with (1981). In 1982, veteran actor and rising comedian broke box office records with the action-comedy, credited as the first 'buddy-cop' movie. That same year, starred in, the first installment in the which made the character a pop culture icon. 1984 saw the beginning of the starring and Arnold Schwarzenegger.

This story provides one of the grittiest roles for a woman in action and Hamilton was required to put in extensive effort to develop a strong physique. 1987's starring, and was another significant action film hit of the decade, and another 'buddy-cop' genre classic, launching a franchise that spawned 3 sequels. The 1988 film, was particularly influential on the development of the action genre. In the film, plays a police detective who inadvertently becomes embroiled in a terrorist take-over of a office building high-rise. The use of a maverick, resourceful lone hero has always been a common thread from James Bond to John Rambo, but in Die Hard is much more of an 'everyday' person whom circumstance turns into a reluctant hero. The film set a pattern for a host of imitators, like (1992) and, which used the same formula in a different setting. By the end of the 1980s, the influence of the successful action film could be felt in almost every genre.

1990s Like the Western genre, spy-movies, as well as urban-action films, were starting to parody themselves, and with the growing revolution in (computer generated imagery), the 'real-world' settings began to give way to increasingly fantastic environments. This new era of action films often had budgets unlike any in the history of motion pictures.

The success of the many Dirty Harry and James Bond sequels had proven that a single successful action film could lead to a continuing action franchise. Thus, the 1980s and 1990s saw a rise in both budgets and the number of sequels a film could generally have. This led to an increasing number of filmmakers to create new technologies that would allow them to beat the competition and take audiences to new heights.

The success of 's (1989) led to a string of financially successful sequels. Within a single decade, they proved the viability of a novel subgenre of action film: the comic-book movie. Action films also became important in the market. The reported in 1994 that The direct-to-video action movie is easy to spot on store shelves because it usually has 'Dead,' 'Death,' 'Future' or 'Blood' in its title.

The cover of the video box habitually features a rugged man snuggling some sort of semi-automatic weapon amid a backdrop of high-tech destruction. The plots are virtually interchangeable: Tough cop tracks down brutal serial killer; tough FBI or DEA agent battles South American drug kingpins; tough CIA agent takes on Middle Eastern terrorists; tough cyborg cop squares off with sadistic cyborg villain in the 25th Century. In short, bargain-basement Schwarzenegger. 2000s While action films continued to flourish as the medium-budget genre movieit also fused with in other genres. For example, 2009's had several science fiction tropes and concepts like time travel through a black hole. However, most of the film was structured around action sequences, many of them quite conventional (hand-to-hand, shooting).

While the original featured some of this kind of fighting, there was just as much emphasis on star-ship chases and dogfights in outer space. The newer films featured more lightsaber duels, sometimes more intense and acrobatic than the originals. Some also have similar duel scenes like those the prequel trilogy. It was action with a science fiction twist. The trend with films such as and series, is that hand-to-hand fighting and Asian martial-arts techniques are now widely used in science fiction and superhero movies. Sylvester Stallone's used nostalgia for a perceived golden age of action films by casting 1980s action stars alongside new actors in the genre such as. In, the action film staple of the car chase is the central plot driver as it had been in films in the 1970s.

2010s The cross-over of action with science fiction and superhero films continues with many characters and settings being used for big budget films. Hong Kong action cinema. This section does not any. Unsourced material may be challenged. ( January 2013) Currently, action films requiring extensive and tend to be expensive. As such, they are regarded as mostly a large-studio genre in, although this is not the case in, where action films are often modern variations of. Because of their roots and lower budgets, Hong Kong action films typically center on physical acrobatics, fight scenes, stylized, and dangerous stunt work performed by leading.

On the other hand, American action films typically feature big explosions, car chases,. Hong Kong action cinema was at its peak from the 1970s to 1990s, when its action movies were experimenting with and popularizing various new techniques that would eventually be adopted by Hollywood action movies.

This began in the early 1970s with the martial arts movies of, which led to a wave of movies that eventually gave way to the comedy films of by the end of the decade. During the 1980s, Hong Kong action cinema re-invented itself with various new movies. These included the modern martial arts action movies featuring physical acrobatics and dangerous stunt work of, as well as and; the and films of, and; the, and films of, and; and the films of.

Subgenres. Action adventure - A subgenre of the genre as well. Typically, these films take place in exotic locations and frequently involve the hero travelling to several locations around the world.

There are a lot of films with this combined genre. Examples include the franchise, and most superhero films are action adventure, too. Action comedy - A subgenre involving action. The subgenre became a popular trend in the 1980s, when actors who were known for their background in, such as, began to take roles in action films.

Comedy films such as and, that contain action-laden sub-plots, are not considered part of this combined genre. Action scenes have a more integral role in action comedies. A common strata of action comedy is the, including (1982), (1984), (1987), (1988), (1995), (1998), (2003), (2007), (2016), and the (2016). Another common strata of action comedy is the comedy, which became popular in since the 1980s, with being the most famous example, along with. Action drama - A subgenre involving action. Examples include, (2014) and (2016). Action horror - A subgenre combining the intrusion of an force, event, or personage of horror movies with the gunfights and frenetic chases of the action genre.

Themes or elements often prevalent in typical action-horror films include, vicious animals, and, most commonly,. This category can also take elements from the genre. Examples include,. Action thriller - Featuring guns, cool explosions, and amazing set pieces, this movie type first developed in the 1970s in such films as and, and became the exemplar of the Hollywood mega-blockbuster in the 1980s in such works as. These films often feature a race against the clock, lots of violence, and a clear—often flamboyantly evil—antagonist.

Though they may involve elements of crime or mystery films, those aspects take a back seat to the action. Other significant works include, and,. The story takes place in limited location; a single building, plane, or vessel - which is seized or under threat by enemy agents, but are opposed by a single hero who fights an extended battle within the location using stealth and cunning to attempt to defeat them. The subgenre has become popular in Hollywood because of its crowd appeal and the relative simplicity of building sets for such a constrained piece. Examples include (terrorists take over a ship), (terrorists hijack a nuclear weapon from a B-2 bomber), (poisonous snakes take over a passenger plane), (terrorist takes over a bus), and (hostages are trapped on trains and buses), (terrorists take over an Ice Hockey stadium), and (hostages are trapped on a plane), (criminals take over a transport plane), and and (criminals or terrorists take over a prison). Is a recent of this trend (as Die Hard in a mall).

A subgenre that became incredibly popular in the 80's with films such as,. They typically involve two mismatched heroes, who are almost always police officers, whose relationship evolves as they advance the plot. This genre saw a minor resurgence in the 2000s with films like,. Having elements of and sometimes, the main conflict of this genre is some sort of natural or artificial, such as, etc. Examples include,. A subgenre of the action film, films contain numerous between characters. They are usually the films' primary appeal and entertainment value and are often the method of storytelling, character expression, and development.

Martial arts films contain many characters who are martial artists. These roles are often played by actors who are real martial artists. If not, actors usually fervently train in preparation for their roles. Another method of going around this issue is that the action director may rely more on stylized action or filmmaking tricks.

Examples include such as, and, as well as, and series. A variant of the genre is, a stylized action fantasy period genre typically set in Ancient Asia where skill in the martial arts can enable fantastic abilities like flying and magic like abilities. Sci-fi action - Sharing many of the conventions of a, sci-fi action films emphasizes gun-play, space battles, invented weaponry, and other sci-fi elements weaved into action film premises. Examples include, the,.: In which the hero is generally a government agent who must take violent action against agents of a rival government or (in recent years) terrorists. They often revolve around spies who are involved in investigating various events, often on a global scale. This subgenre deals with the subject of fictional, either in a realistic way (such as the adaptations of ) or as a basis for fantasy (such as ). It is a significant aspect of, with leading British directors, such as and, making notable contributions and many films set in the.

The subgenre showcases a combination of exciting escapism, heavy action, stylized fights, technological thrills, and exotic locales. Not all spy films fall in the action genre, only those showcasing heavy action such as frequent shootouts and car chases fall in action, spy films with lesser action would be in the thriller genre (see the spy entry in the ). Action films of this subgenre include, the, and in. Usually having elements of science fiction and fantasy, they focus on the actions of one or more superheroes, who usually possess superhuman abilities and are dedicated to protecting the public. These films are almost always action-oriented and the first film of a particular character often includes a focus on the origin of the special powers, including the first fight against the character's most famous.

Some superheroes are often from and, or they can be made-up. Examples include,.

Notable individuals. Main article: Actors from the 1950s and 1960s, such as, and, passed the torch in the 1970s to actors such as,. In the 1980s, and had a popular string of 'buddy cop' films in the Lethal Weapon franchise. Beginning in the mid-1980s, actors such as ex-bodybuilder and wielded automatic weapons in a number of action films. Stern-faced martial artists and made a number of films. Played a Western-inspired hero in the popular series of action films. In the 1990s and 2000s, Asian actors, and appeared in a number of different types of Hollywood action films, and American actors and both had many roles.

While and both had major roles in action science fiction films ( and, respectively), they later branched out into a number of other action genres, such as action-adventure films. American actor, who was nominated for an for his sensitive portrayal of a math genius working as a janitor in, later morphed into an action hero with the car-chase-and-gunfire-filled franchise. Same thing happened to star, who turned into a mature action star with the, and other films. Is another good example of it, but without a film franchise as the previous. European action actors such as Belgian (, ), French ( and ), Swedish (, ), Irish (, ), and English (, ) appeared in a number of action films in the 1990s and 2000s. Female characters and actors. Main article: Female actors with major, active roles in action films include,.

After a successful career in stunts, has recently crossed over to become an action star in her own right and and have both come from a mixed martial arts background to action roles. Increasing numbers of films starring women as the action heroes are being produced. These are celebrated by which honours women who work as actors, stuntwomen, and directors in action films. Works to document the onscreen time and representation in women in all film types with a view to improving the equality of work for actresses.

Analysis of the lines spoken in action films shows many recent films in this genre are dominated by male dialogue. Analysis of the lines in 2016's biggest blockbusters show that despite much hype about the lead female in, and the female characters in and, these characters still had limited share of dialogue. Some male actors appear to champion the cause of women in action films. Has been applauded for his asexual onscreen relationships with recent female co-stars, in and in. Tom Cruise has been honoured with an Artemis Action Rebel Award for his work in championing strong female heroes in film. Directors Notable action film directors from the 1960s and 1970s include, whose 1969 Western was controversial for its bloody violence and nihilist tone.

Influential and popular directors from the 1980s to 2000s include (for the first two films, ); (, ); (Hong Kong action films such as and US-made English-language films such as, and ); (the and films, ); (, ); ( trilogy), (, ), ( trilogy, ), and (the first two films, pentalogy); (the first two films, ). For a longer list, see the article. Producers. (born 13 October 1947) is a film producer, primarily of American action movies. (Hebrew: בועז דוידזון, born 8 November 1943) is an Israeli film director, producer, and screenwriter. He was born in Tel Aviv, Israel and studied film in London.

(born October 18, 1954) is an American film producer. He is the founder and head of Dimension Films, former co-chairman of Miramax Films, and current head, with his brother Harvey Weinstein, of The Weinstein Company.

(October 29, 1943 – January 19, 1996) was an American film producer, screenwriter, and actor. Simpson, along with his producing partner Jerry Bruckheimer, produced such hit films as Flashdance (1983), Beverly Hills Cop (1984), Top Gun (1986), and The Rock (1996). Their films would go on to earn $3 billion.

(born March 19, 1952) is an American film producer and film studio executive. He is best known as co-founder of Miramax Films. He and his brother Bob have been co-chairmen of The Weinstein Company, their film production company, since 2005. He won an Academy Award for producing Shakespeare in Love and garnered seven Tony Awards for producing a variety of winning plays and musicals including The Producers, Billy Elliot the Musical, and August: Osage County.

(born September 21, 1945) is an American film and television producer. He is known as the producer with many machine guns in his films and has achieved great success in the genres of action, drama, and science fiction. His best-known television series are CSI: Crime Scene Investigation, CSI: Miami, CSI: NY, Without a Trace, Cold Case, and The Amazing Race. Some of his best-known films include Beverly Hills Cop, Flashdance, Top Gun, The Rock, Con Air, Armageddon, Bad Boys, Enemy of the State, Black Hawk Down, Pearl Harbor, Pirates of the Caribbean, and the National Treasure franchise.

He also serves as a Director at ZeniMax Media. (born September 26, 1937 – July 6, 2015) is an American film producer and former chairman and CEO of United Artists. He lived in Palm Desert, California. (born July 14, 1952) is an American film producer, known for action films like Lethal Weapon and Die Hard.

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He is owner of Silver Pictures and co-founder of Dark Castle Entertainment. 27 November 1951) is considered a queen of female action directors having directed Point Break, Zero Dark Thirty, Strange Days and the Hurt Locker. (born May 31, 1929 – August 8, 2014) (Hebrew: מנחם גולן) is an Israeli director and producer.

He has produced movies for stars such as Sean Connery, Sylvester Stallone, Chuck Norris, Jean-Claude Van Damme, and Charles Bronson, and was known for a period as a producer of comic book-style movies like Masters of the Universe, Superman IV: The Quest for Peace, Captain America, and his aborted attempt to bring Spider-Man to the silver screen. Using the pen name of Joseph Goldman, Golan has also written and 'polished' film scripts. He was co-owner of Golan-Globus with his cousin Yoram Globus. Golan produced about 200 films, directed 44, and won 8 times the Violin David Awards and The Israel Prize in Cinema. (born 21 October 1941), is an Israeli film producer who is famous for his association with Cannon Films Inc., a company he ran with his cousin Menahem Golan. —Lana Wachowski (born June 21, 1965) and Lilly Wachowski (born December 29, 1967), known together professionally as the Wachowskis, are Polish-American film directors, screenwriters,.

See also. References. Archived from on 2012-04-21. Retrieved 2013-01-31. Rainer, Peter (June 27, 1993). The Los Angeles Times.

Retrieved 2010-10-27. Retrieved 14 December 2014. Retrieved 2017-09-06. Broeske, Pat H. (January 10, 1993). The New York Times.

Retrieved 2011-01-12. Retrieved 2010-12-31. Sager, Dane. Under The Gun Review. Archived from on 9 June 2013. Retrieved 9 May 2013. Retrieved 2017-09-06.

Retrieved 2017-09-06. Rotten Tomatoes. Shone, Tom (19 July 2013). Greydanus, Steven D. Decent Films. Retrieved 2017-09-06. VREESWIJK, Simon.

Stikky Media. Archived from on 2013-05-04. Retrieved 2013-05-09. Retrieved 2017-09-06.

Robbins, Shawn. Box Office: The Business of Movies. Archived from on 2013-05-08. Anders, Charlie Jane.

Retrieved 2017-09-06. Bowes, Danny. Alvarez, Max J.

Chicago Tribune. Retrieved 2018-07-22. Binder, Jack. Film Budget Inc. Archived from on 2013-06-16.

Webster, Andy (January 18, 2013). New York Times. ^ Sarno, Gregory G.

Retrieved September 22, 2009. Retrieved 2017-09-06. Macrovision Inc.

Retrieved February 5, 2013. No Film School. 2 December 2014. Stokes, Lisa Odham; Hoover, Michael (1999).

Retrieved 2013-01-31. Retrieved 2013-01-31. Broeske, Pat H.; Wells, Jeffrey (December 1, 1995). Retrieved July 20, 2010. Retrieved 2011-08-03.

Retrieved 2011-08-03. Retrieved 2013-01-31. Retrieved 2013-01-31. 'The Spying Game: British Cinema and the Secret State', 2009, pp54-57 of the 2011-07-20 at the. The Independent. Retrieved 2013-01-31.

Retrieved 2013-01-31. Retrieved 2013-01-31.

Retrieved 2013-01-31. Broeske, Pat H. (January 10, 1993). The New York Times.

Retrieved 2010-12-20. 12 January 2017. Retrieved 7 September 2017. Retrieved 2017-09-06.

Artemis Women In Action Film Festival. Retrieved 2017-09-06. Retrieved 2017-09-06.

Further reading. Inness, Sherrie, ed.

Action chicks: new images of tough women in popular culture. (Winter 2006). Osgerby, Bill; Gough-Yates, Anna; Wells, Marianne (2001). Action TV: tough guys, smooth operators and foxy chicks. London New York:. Tasker, Yvonne (2002). Spectacular bodies: gender, genre, and the action cinema.

London New York: Routledge. Tasker, Yvonne (2004). Action and adventure cinema. London New York: Routledge. Heldman, Caroline; Frankel, Laura Lazarus; Holmes, Jennifer (April–June 2016). ' 'Hot, black leather, whip' The (de)evolution of female protagonists in action cinema, 1960–2014'.

2 (2): 62778.:. External links Look up in Wiktionary, the free dictionary. Welkos, Robert W.

(November 26, 1996). Retrieved 2010-12-17. Taylor, John (April 1, 1991). Retrieved 2010-12-01.